P R O D U C T I O N

Production is what we do, we live and breathe it.

Our Production services start right from the birth of a great idea to script development through to shooting, post-production and distribution.

We're a very responsive and experienced team, who thrive on working closely with both clients and creatives to bring scripts to life. We make budgets work hard and deliver what we said we would, when we said we would.

P O S T - P R O D U C T I O N

We have an in-house set up capable of managing all of our post production work flow. That set up includes talented editors, graphic designers and 5k edit suites kitted out with the latest hardware and software. Our suites are ours and are purely for our own use, which means we can be flexible and responsive when time is tight, which it usually is.

If we're looking for more specialist post production we love collaborating with some of our favourite post houses which are spread across the country. They would work with us to produce more complex post production workflow like CGI animation, sound design/mixing or extensive grades.

E Q U I P M E N T

We work with the UK's best equipment hire companies; if it exists we will find it. That 'it' could be a set of anamorpic lenses, a drone, a motion control rig or a phantom camera. We will make sure you have the right kit on your job, and the right people to operate it.

As well as hiring specialist equipment in we also own a 5k Red Epic, one of only a handful in Scotland. If it's good enough for films like 'The Great Gatsby', it's good enough for us.

D I R E C T O R S

Our ethos on director selection is simple; we don't put square pegs in round holes. By that we mean we don't have a roster that pitch on every project -- regardless of whether they are right or not. We don't want to limit ourselves, equally we don't want to limit directors either.

We choose directors based on their reel and their vision for a script or concept. Our producers are constantly meeting new directors, nurturing relationships with those we've already worked with as well meeting other production companies who loan directors. We're obsessed with discovering talented folk and supporting them to make beautiful, authentic, visual work.

For us, doing it this way means the possibilities of who we collaborate with are endless, and the work we produce never becomes stagnant.

C R E W

Over the past 18 years we have built up a vast and versatile database with the best crews in Scotland, throughout the UK and overseas too.

We love working with our extended family of veteran freelancers as well as taking the time to work with fresh and upcoming talent.

We can entirely crew up for productions including but not restricted to: 

Location Finders & Managers | Casting Directors | Full Production team | Assistant Director | Focus Pullers | Camera Asst | Grip | Drone operators | Sound ops | MUA/Hair/Stylist | Art Director | Prop hand | Gaffer & Sparks | DIT's | Runners 

L O C A T I O N S

We know how important getting a location that ticks all the boxes is. It's got to look epic on screen but it also needs to be logistical production wise.

We have an extensive bank of location options as well as relationships with the best location finders and managers in the UK. If you're looking to shoot further afield we have a network of contacts globally that offer diverse terrains; whether that be on a yacht in the Florida quays [yes please] or a highrise roof top in the middle of a busy cosmopolitan city. 

We will handle everything from scouting, technical recce's, location agreements to parking dispensations and road closures.

C A S T

We cast from the diverse network of agents and casting directors across the country. Each job needs a different casting approach and we get that; whether it’s flying a model in from Moscow or finding a hidden gem during a street cast in Glasgow.

Greenroom will handle any artist agreements/contracts as well as any child licenses/chaperones for filming.

D I S T R I B U T I O N

Whether it’s going on TV, Adsmart or Cinema, we can handle all distribution and clearance.

This includes submissions, liaising and approvals with Clearcast/CAA/BBFI, managing complex media schedules through CARIA, clocking, quality checking and station copy playouts. We can also arrange Dolby surround sound for cinema with one of our trusted suppliers. Our production team are Clearcast certified, and able to offer advice on scripts and concepts before we even submit.

We work with media buyers very closely, and are happy to recommend the right media buyers to clients who need guidance on their media spends and schedules.